Which of the following is not part of the method acting approach of Konstantin Stanislavsky?
A. The actor should always be primarily aware of the audience, making adjustments to keep them involved in the action.
B. The actor should study the role closely to discover a network of objectives or motivations that can carry the actor from moment to moment.
C. The actor should look for ways to identify as closely as possible with his or her character.
D. The actor should draw on personal experiences and relationships to provide the foundation for the character's inner life.
Answer: A
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a. sender has no control over where, when, or if the message is received b. message is less persuasive than written communication c. receiver cannot give immediate feedback d. cost of oral communication is relatively high e. likelihood of spontaneous, ill-considered statements is relatively high
Which of the following best describes this selection's harmonic idiom?
a) tonal with modulations to related keys at important structural moments b) entirely diatonic without any modulation to related or distant keys c) entirely chromatic d) moderately chromatic
Which of the following statements about George Catlin is FALSE?
a. His paintings of Native Americans show a deep respect for them as people. b. He helped to develop the image of Native Americans as ecologically-minded. c. He used his paintings to garner support for the government's policy of relocating Native Americans to reservations. d. His paintings and written descriptions of Native Americans were based on first-hand experience gained by living with numerous Native American peoples.
__________ refers to "light entertainments" inserted into a ballet
A) Divertissements B) Comique C) Fouette´s D) Anachronism E) Giselle