John Ford's adaptation of John Steinbeck's The Grapes of Wrath is a perfect example of
A. an artistically done social problem film that stayed relevant even after the problem faded.
B. a "thesis" film that brought across its message through fiction and heavy use of propaganda instead of documentary structures.
C. a well-executed cinéma vérité technique that elevated the film to national prominence.
D. a social problem film that appears to be more purely descriptive than argumentative about difficulties in its subjects' worlds.
Answer: A
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