How did Goya evoke a sense of motion on the part of the bullfighter in The Agility and Daring of Juanito Apinani?
a) He placed the bullfighter on the intersection of the diagonal axes.
b) He depicted the bullfighter perpendicular to the pole.
c) He depicted the bullfighter in sharp light and dark contrasts.
d) He depicted the bullfighter swinging on a pole.
a) He placed the bullfighter on the intersection of the diagonal axes.
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Amid their new economic prosperity, which artistic subject became especially popular among the Dutch middle class?
A. Landscapes B. Portraits C. Still lifes D. Religious scenes
Bishop Odo was the half-brother of __________
Fill in the blank(s) with correct word
Which of the following is NOT true of the Montage filmmaker Dziga Vertov?
A. He considered that the differences, or "intervals," between shots would be the basis of a film's effect on the audience. B. He discussed montage chiefly as techniques of editing for clarity and emotional effects. C. He emphasized the social utility of documentary. D. He believed that montage was less a single technique than the entire production process.
The textbook demonstrates the three-step method for writing about art: facts, analysis, and evaluation. Write about Sonia Delaunay-Terk’s Simultaneous Contrasts by briefly addressing each of these steps using the information about the artwork in your textbook.
What will be an ideal response?