The British Invasion is:
A. Musicals with little or no dialogue between the
songs.
B. Incredibly lifelike, classical British puppetry form,
in which each puppet is manipulated by three
puppeteers
C. A term for a wave of musicals, primarily during the
70s and 80s, that transferred to New York City from
the West End of London and topped the lists of
longest-running Broadway musicals into the 90s.
D. A term used by some historians to refer to a period
in the twentieth century when the integrated
American musical was at its height, roughly from
1942-1968.
C.
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During his reign Constantine transferred the empire's seat of power from Rome to _____
a. Ravenna b. Constantinople c. Alexandria d. Persia
Relation of one part to another, or of parts to the whole in respect to the size,height,width, and scale.
Define the quality of a work of art that we call texture
What will be an ideal response?
The effects of __________ when each is drawn against a paper surface are very similar
a. silverpoint and charcoal b. pencil, silverpoint, and pastel c. charcoal, chalk, and pastel d. pencil, charcoal, and pastel e. silverpoint, pencil, and chalk