Comparing the Santana version of "Oye Como Va" (1970, PL 11-55) to the original Tito Puente recording (PL 11-45), we find that
A. the Santana version is distinctive on account of the fact that it is accompanied by a symphony orchestra.
B. there is no similarity whatsoever.
C. the underlying cha cha chá groove is common to both versions, but in the Santana version that basic groove is enhanced by the drumset part and a somewhat "freer" rhythmic approach generally.
D. the rhythms are the same, but the original melody of the song has been eliminated.
Answer: C
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