Goya immortalized the history of the French occupation of Spain in a landmark series of etchings and aquatints known as
A. The Disasters of War.
B. The Departure of the Volunteers.
C. The Third of May.
D. The Raft of the "Medusa."
Answer: A
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In the 1980s, how was the Louvre Museum expanded by American architect O. M. Pei?
a) A central entryway was constructed as an underground visitor's center covered by a contemporary glass pyramid. b) A new restaurant complex was constructed in the central court, embraced by the Renaissance and Baroque wings. c) A new wing was constructed with translucent white marble, adding a contemporary structure to complement the Renaissance, Baroque, and Neoclassical styles of the older wings. d) The original medieval wall of the fortress was covered by a new exhibition space.
Egyptian sculpture maintained a similar look over many centuries because:
a) a specific set of conventions dictated artistic representations. b) the Egyptian civilization was isolated from outside influences. c) artists were trained by a central school overseen by the pharaoh. d) religious beliefs restricted artists to portray only royalty and gods.
Raphael's well-known fresco The School of Athens summarizes the ideals envisioned by __________in both its subject matter and harmonious formal arrangement
A. the Medici Family of Florence B. the Renaissance Popes C. the Doni Family of Florence D.the Holy Roman Emperor
Which of the following best describes the performing forces of this composition?
a) two solo voices and small instrumental ensemble b) three voices and keyboard accompaniment c) four solo voices with small instrumental ensemble d) five solo voices and keyboard accompaniment