At the end of the nineteenth century, the minstrel show was slowly fading from popularity. For the
next twenty years it was replaced with a breezy, loosely-jointed show with lots of song and dance and
a skimpy plot line to hold it all together. This new form of stage entertainment was known as:
a. vaudeville
b. the revue
c. musical comedy
d. musical theater
B
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Stan Getz, Zoot Sims, Jimmy Giuffre, and Al Cohn
a. were alto sax players b. were members of Woody Herman's Four Brothers saxophone section c. played with Art Blakey d. all of the above
The Free Southern Theater's production of Slave Ship attempted to
A. unite audience members across race. B. provoke different responses from different audience members to teach lessons about history. C. use Boal's forum theatre techniques to address issues of racial difference in the U.S. D. increase audience member's aesthetic distance so that they could view the events with detachment.
_____ became famous for her photographs of the triumphs of 20th-century engineering
a. Käthe Kollwitz b. Dorothea Lange c. Margaret Oppenheimer d. Margaret Bourke-White
The term pogrom refers to
a) massacres of Jews. b) swollen lymph nodes indicative of the plague. c) the act of beating oneself as penance for sins. d) a type of rat that carries plague fleas.