Postmodern musical style __________
a) combinesmodern and traditional elements
b) seeks a complete break with the past
c) is characterized by a stylistic homogeneity
d) draws on the forms and techniques of eighteenth-century music
a
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Who was Lorenzo da Ponte?
a. the author of the play The Marriage of Figaro b. a Venetian adventurer whose life provided the model for Leporello in Mozart’s opera Don Giovanni c. Mozart’s principle librettist during the 1780s d. the archbishop of Salzburg who didn’t recognize Mozart’s genius and treated him like a hired servant e. all of the above
In The Way of Salvation (13.31) the black and white dogs represent _____________
a. the patrons b. the Florentines c. the Dominicans d. the Franciscans
Which of the following was NOT a distinctively Italian film genre of the silent era?
A. diva films B. strongman films C. frock-coat films D. white telephone films
The Camera Picta (or Camera degli Sposi) of the Ducal Palace in Mantua decorated
a. an audience chamber. b. the chapel. c. a room for a wedding. d. the marchesa's private study.