According to the text, Jo Mielziner's set design for Arthur Miller's Death of a Salesman, which depicted the outline of a house through which the cityscape could be viewed as it loomed over the home, is a good example of what?
A. the creation of a world on stage that closely resembles "real" life
B. the creation of a world that is more abstract, symbolic, and evocative of real life
C. the creation of a world that is a combination of "real" life and a more abstract, symbolic world
D. none of these choices
Answer: C
You might also like to view...
Describe a dramatic character that the spectator dislikes (e.g., Iago, Lady Macbeth, Severus Snape, or Hannibal Lecter) and explain how the performer playing the part could be admired at the same time that the character is despised. Could we say that the more we dislike a villainous character, the more we are admiring a performance?
What will be an ideal response?
What is the main difference between the musicals of Stephen Sondheim and shows such as Chicago and A
Chorus Line?
a. Chicago and A Chorus Line were driven by directorial vision. b. Chicago and A Chorus Line are not concept musicals. c. Chicago and A Chorus Line failed on Broadway. d. Chicago and A Chorus Line were not created by American writers
St Bernard's preaching contributed to the spread of __________, which led to the softer, more ethereal Christianity of the High Gothic period
What will be an ideal response?
For The Conversion of St. Paul, Caravaggio selected the models in his painting from __________
a. society's outcasts b. classical statuary c. Roman death masks d. Rome's aristocracy e. two fellow painters