When art historians study issues of patronage, economics, and intellectual currents surrounding the artist, they are studying the works' __________.
A. context
B. form
C. technique
D. style
Answer: A
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The ceremonial scenes showing homage and loyalty in this relief from the Wu family shrine are reflections of which belief system in Han society?
A. Buddhism B. Confucianism C. Daoism D. Hinduism
.“Ain’t Enough Comin’ In” uses a bridge section in addition to standard 3-line, 12-bar blues stanzas. The beat is typical of rock music and is divided into
What will be an ideal response?
Bahram Gur and the Princess in the Black Pavilion demonstrates that:
A. illustrations of people are allowed in secular books in Islamic culture. B. the artist Shaykhazada disobeyed Islamic law by portraying people. C. not all Persian art of the 16th century is Islamic. D. Islamic law permits the depiction of people in religious murals. E. all Islamic art is nonfigurative.
Protestants sang hymns in their vernacular language.
Answer the following statement true (T) or false (F)