In an effort in the late Romantic to intensify emotion, composers

A. increased chromaticism.
B. reduced the size of the orchestra.
C. leaned towards the diatonic.
D. used random harmonies.


Answer: A

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John Ford's adaptation of John Steinbeck's The Grapes of Wrath is a perfect example of

A. an artistically done social problem film that stayed relevant even after the problem faded. B. a "thesis" film that brought across its message through fiction and heavy use of propaganda instead of documentary structures. C. a well-executed cinéma vérité technique that elevated the film to national prominence. D. a social problem film that appears to be more purely descriptive than argumentative about difficulties in its subjects' worlds.

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