At Al-Khazneh (the "Treasury") located at Jordan, the architect used Greek architectural elements ____
a. in a purely ornamental fashion
b. with regard for classical rules
c. to emphasize power
d. because of its function as a temple
a
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Artists create directional forces in artwork by using __________.
a. actual or implied lines b. proportionate forms c. symmetrical balance d. subordinate patterns
We propose a music-culture model that is grounded in music as it is performed
Place yourself at a music event that moved you. At the center of the event is your experience of the music, sung and played by performers. Review the two diagrams, Figure 1-6, Elements of a musical performance, and Figure 1-7, A music-culture model. Note how the concentric circles in the two diagrams parallel each other. For example, the center of Fig. 1-6, the music, that is, the musical event itself, is parallel to the center of Fig. 1-7, the affective experience (music’s power to move). Explain how the ideas in the other three concentric circles of the two figures are related and parallel to each other. What will be an ideal response?
What are the primary landmarks of European expansion, exploration, and cross-cultural contact?
What will be an ideal response?
Which "rules of the theatre" did this play challenge and how did those issues affect your understanding of the play?
What will be an ideal response?