_____ by Houdon is the sculptural equivalent of a Grand Manner portrait
a. The Swing
b. Lord Heathfield
c. George Washington
d. Death of Marat
c
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How does the figure in Lucas Cranach the Elder's Nymph of the Spring (Fig. 22-10) compare to idealized nudes in Italian Renaissance paintings?
A. Both derive from Classical models of female beauty. B. It suggests a distinctly different conception of the figure in Germany. C. It shows that Cranach was familiar with contemporary Italian art. D. It shows that Italian artists were influenced by Northern prototypes.
Maius's Seven-Headed Dragon and Woman Clothed with the Sun from the Morgan Beatus exemplifies the style of __________.
A. Ottonian art B. Anglo-Saxon art C. Romanesque art D. Mozarabic art
For The Continuing Presence of the Past: Joseph Beuys’s Untitled I: Beuys’s work pushes the boundaries of what might be considered art. How does the vitrine itself help to put his work into an artistic context?
What will be an ideal response?
The text of Schubert's "Erlkönig" is a poem written in the 1780s by
a. Shakespeare. b. Goethe. c. Schubert's mother. d. Schiller.