The saxophonist who used thematic improvisation rather than either improvisation on a chord progression or variations on an established melody was ________.
A. Branford Marsalis
B. Wayne Shorter
C. Sonny Rollins
D. Coleman Hawkins
Answer: C
You might also like to view...
Throughout the Great Depression, America's favorite leisure activity was
a. going to the movies. b. listening to the radio. c. playing sports. d. dancing.
Match the nonharmonic tone with its definition.
1. Appoggiatura 2. Changing tone 3. Pedal tone 4. Suspension 5. Passing tone 6. Anticipation 7. Escape tone 8. Neighbor tone 9. Retardation a. approached by leap, resolved by step in the opposite direction b. approached by step, resolved by step in the opposite direction c. approached by repetition, resolved by step downward d. approached by repetition, resolved by step upward e. approached by step, resolved by leap in the opposite direction f. approached by step, resolved by step in the same direction g. approached by repetition, resolved by repetition h. approached by step, resolved by repetition i. approached by step, resolved by a leap in the opposite direction to another j. nonchord tone, followed by step in the opposite direction
In Albrecht Dürer's woodcut The Draftsman Drawing a Reclining Nude, the draftsman is using a device to help him achieve the effect of ________.
A. foreshortening B. chiaroscuro C. simultaneous contrast D. the illusion of motion
A structural relationship in a work of art is
A. the overall organization B. the connection of a part to the overall structure C. a perceptually distinct part or group of parts D. none of the above