Analyze the development of the Japanese cinema after the 1960s. To what extent did Japan depend on government assistance for its economic well-being? How capably were local products able to compete with imports? What new trends emerged during this period, and what was their relationship to previous national tendencies or movements?
What will be an ideal response?
Answer may vary.
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Answer the following statement(s) true (T) or false (F)
1. Venue rental fees may be fixed sums, percentage deals, or a combination of the two. 2. One of the most annoying duties of a venue operator is to parse music publishing contracts when an artist claims no performance rights royalties need to be paid because the artist is the author of a song to be performed. 3. Because of union restrictions, venues have little involvement in the sale of licensed merchandise on their premises when union talent is performing. 4. Concert promoters still sometimes hire persons to count or photograph how many persons enter a venue or fill the seats inside in order to make their own estimate of ticket sales to compare with counts from the venue. 5. At concerts, royalty rates to performers for their licensed merchandise are higher than through normal retail distribution.
What is the name of the technique developed by María and Julián Martinez for producing pots without a potter's wheel?
a) coiling b) subtractive modeling c) slab construction d) cire-perdue
Describe what per-capita expectations for licensed merchandise are for an artist playing a huge stadium versus an intimate setting with small seating, and the reasons why expected merch sales per ticket holder are vastly different.
What will be an ideal response?
What type of singer typically performed the "trouser" role in a classical opera?
A. Tenor B. Castrato C. Mezzo soprano D. Bass